I've had the trailer for Planet of the Apps sitting in my blog CMS, unpublished, since the day it was announced and released. Honestly, I'm just not sure how to respond. I guess, I need to understand that its audience is not designers and developers involved with the App Store™, but more so perhaps fans of reality television.
I'm excited that they moved it to San Jose. The logistics and extra costs associated with it just being in San Francisco was always cost prohibitive for me.
The irony is, now that I have more time after going freelance I have more time for ideas (many that include the iOS or Mac App store), except that I no longer have reliable discretionary income. It's going to be a big expense regardless. I hope this year I can figure it out.
While I was initially pretty excited when I got my original Apple Watch, it quickly became apparent that it would not be accurate enough for me to use in any running races.
Unfortunately, looking at this video, it doesn't look like things have changed with the Apple Watch 2. If Apple (and Nike for that matter) want to be serious about running this will need to be drastically improved. Taking over a minute for "live" pacing to update makes it unusable.
Getting my marathon PR at St. George required absolute trust in the data my Garmin Fenix 3 was displaying. I would not have been able to get a 3:49:59 running with a watch as inaccurate as the Apple Watch 2 is in the video above.
Another gorgeous typeface from a company that continues to put out great work.
Designed for diversity instead of homogeneity, Ringside brings to the modern superfamily some of the
charming individuality of the potluck sans serif.
Hoefler & Co's description positions Ringside as a body copy typeface similar in tone and nature to Knockout.
Personally, I'm excited for any excuse to use this typeface (I'm still looking for the perfect project to use Mallory). My first-hand experience with Hoefler & Co's cloud.typography service was fantastic. The service delivers Gotham Rounded to the YouMap marketing site that was designed and developed while I was at Rally.
I love podcasts. I listen to a lot. My podcast player, Overcast, says that I have saved over 70 hours from Smart Speed alone. Here's a bunch of my favorite technology, design, development, running and fly fishing podcasts.
Milton glaser reviews Olympic logos throughout the years. My favorite scathing criticism is of London – Summer Olympics 1948. Milton claims: "This logo reveals that not all images will work together. The rings and parliament remain unrelated. The typography is sad."
I've always had a strong affinity towards Tokyo Summer 1964 by Yusaku Kamekura and Mexico Summer 1968 by Lance Wyman.
"Every day clients want to know what will it take to be the Nike swoosh," Bierut says. "They think that these logos are born like this on day one and of course they’re not. For any company that achieves that, it’s because they’ve made a long investment in the use of primary elements. The reason those things are rare is that it’s so easy and tempting to get bored and say, 'We’ve had it for five years it’s boring; let's change it.'"
I always enjoy reading breakdowns of typography. Seeing what works with a typeface, what doesn't work and the reasoning behind certain decisions is eye opening. There's a lot of smart details with the San Francisco typeface, that I think many don't notice.